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Medieval mystical texts are concerned with authenticating the stories they contain. Especially when they are written in a hagiographical tone, validating the ineffable through language becomes essential for the proof of sanctity. The retelling of mystical moments evolving in a visionary space reserved to the mystic, poses particular challenges for the mystical account which is read in a collective environment. The mystical Life of Christina of Hane serves as a case study for illustrating the relationship between the personal realm of the visionary and the communal physical space. Mapping between inner and outer perceptions as experienced by the Premonstratensian nun, the mystical text establishes analogies which translate non-figurative concepts – such as the mystical rapture – into corporeal manifestations. Despite claims to its apophatic nature, language plays a key role in the communication of the mystical moment: figures featuring in Christina’s visions perform speech acts, which bridge the gap between the visionary and the corporeal.
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This study presents the particular case of the medieval mystic Christina of Hane in the Early Modern transmission to uncover the dynamics of sanctity across traditional period boundaries. It discusses the interest of copying and transmitting the Life of this local saintly figure with a legend on Mary Magdalene’s conversion in the sixteenth century. Christina of Hane’s medieval Life becomes refashioned in a seventeenth-century Flemish text that addresses the religious needs of its time, stressing apolitical forms of devotion such as prayers for the souls in purgatory.
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This paper deals with the medieval theological debate on the primacy of knowledge, love, or enjoyment of God by comparing the biography of the Premonstratensian nun Christina of Hane with the German mystical writings of the Dominican preacher and scholar Meister Eckhart. It shows the ways in which female vernacular thought engaged with a primarily scholastic and male-dominated debate and suggests a performative understanding of the female mystical account. Challenging existing presumptions about Christina’s mystical biography as being inconsistent and composed by several authors, the results of this research demonstrate to what extent the text can still be considered cohesive when discarding gender specified authorial conceptions which cannot be determined in this case.
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The subject of my thesis is a little-studied hagiographical work that gives important insights into rewriting processes and their significance in medieval textual culture. The anonymous Life of Christina of Hane, a thirteenth-century Premonstratensian nun from the Palatinate, is an example of bridal
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